Critic's Rating:
Direction: Rajat Kapoor
Cast: Ranvir Shorey, Purab Kohli, Gul Panag, Neil Bhoopalam, Gunjan Bakshi, Brijendra Kala
Genre: Romance
Avg Readers Rating:
Movie Review: Think of all those uber-cool Mumbai movies you've seen - Dil Chahta Hai, Bluffmaster, Wake Up Sid - put them in an imaginary blender, switch on, and hey presto, you have Fatso, frothing over with shots of surfing sea, rain-soaked skies, stylish bars.
Fatso Movie Official Trailer
Add a group of friends led by Navin (Kohli), who pops the question to Nandini (Panag) before crashing headlong into a truck and you have Fatso's main course - how to live after death. And what to do if your buddy, thinking you're in the great beyond, makes a move on your girl.
Fatso's a whimsical film with a rhythm somewhere between jazz and an old Bollywood song. Starting on an innovative note, it's brightened by Kohli's sparkly performance, Panag's dimpled smile and every shot of Mumbai that's made prize-winning cliche-level. Its most stunning sequences however occur in the grim sarkari office everyone apparently visits after they're dead - there is no heaven or hell, posits Fatso, just hundreds of peons, files, queues and babus, eternally occupied in 'mittings'. But Navin refuses to rest in peace till returned to earth - as fat friend Sudeep (Shorey). With Shorey literally getting a new lease of life, having visibly restrained himself as the much-mocked 'saand' of his group, you imagine Fatso's second half will rev up.
Alas. Here's where Fatso flops down heavily. Any sense of magic, of life rescued from death, love saved from vanishing, even the funny ironies of a slim guy stuck in a fat form, is totally missing. The 'friends group' is unconvincing. Kala's notable as a chatty clerk escorting souls about while Panag stands out in the silence of someone hit by grief. A cafe sequence, where Navin sees Nandini ordering spaghetti, then crying in the ladies' room, is moving. But otherwise, strangely flat acting and banal lines leave Fatso more heavy than cheerful.
The film seems overwhelmed by its own smart styling - little details like a dress drying on a clothesline, a girl rubbing hand-cream onto her palms, are clever. But there's too much style, not enough substance. No-one but pretty Tanuja (Bakshi), whose boyfriend Yash (Bhoopalam) hits on Nandini, seems to have a job. Life's a round of bar-hops with holidays when the living gets dull. The movie's peppiest number - 'Fatso! Na jaane kab last time sofe se khara hua' - is reserved for its feeble end, pushed wearily by Shorey listing everything he loves - mangoes to mosquitoes - before Panag mercifully plugs his outpourings with a kiss. Willing, yet weak, Fatso joined a good gym - but could have done with a much stricter trainer.
Fatso's a whimsical film with a rhythm somewhere between jazz and an old Bollywood song. Starting on an innovative note, it's brightened by Kohli's sparkly performance, Panag's dimpled smile and every shot of Mumbai that's made prize-winning cliche-level. Its most stunning sequences however occur in the grim sarkari office everyone apparently visits after they're dead - there is no heaven or hell, posits Fatso, just hundreds of peons, files, queues and babus, eternally occupied in 'mittings'. But Navin refuses to rest in peace till returned to earth - as fat friend Sudeep (Shorey). With Shorey literally getting a new lease of life, having visibly restrained himself as the much-mocked 'saand' of his group, you imagine Fatso's second half will rev up.
Alas. Here's where Fatso flops down heavily. Any sense of magic, of life rescued from death, love saved from vanishing, even the funny ironies of a slim guy stuck in a fat form, is totally missing. The 'friends group' is unconvincing. Kala's notable as a chatty clerk escorting souls about while Panag stands out in the silence of someone hit by grief. A cafe sequence, where Navin sees Nandini ordering spaghetti, then crying in the ladies' room, is moving. But otherwise, strangely flat acting and banal lines leave Fatso more heavy than cheerful.
The film seems overwhelmed by its own smart styling - little details like a dress drying on a clothesline, a girl rubbing hand-cream onto her palms, are clever. But there's too much style, not enough substance. No-one but pretty Tanuja (Bakshi), whose boyfriend Yash (Bhoopalam) hits on Nandini, seems to have a job. Life's a round of bar-hops with holidays when the living gets dull. The movie's peppiest number - 'Fatso! Na jaane kab last time sofe se khara hua' - is reserved for its feeble end, pushed wearily by Shorey listing everything he loves - mangoes to mosquitoes - before Panag mercifully plugs his outpourings with a kiss. Willing, yet weak, Fatso joined a good gym - but could have done with a much stricter trainer.
Courtesy: The Times Of India
